The Galileo Museum (formerly the Science Museum)

Galileo's telescopes and other relics from the early years of scientific inquiry live at the excellent (but rarely visited) Museo Galileo—which was, until 2010, called the Istituto e Museo di Storia della Scienza, or History of Science Museum

Museo Galileo (the Galileo Museum) - Known until 2010 as the Istituto e Museo di Storia della Scienza (Institute and Museum of the History of Science)
Piazza dei Giudici 1 (just east of the Uffizi, where Via de' Castellani meets the river)
tel. +39-055-265-311
www.museogalileo.it

Open Wed-Mon 9:30am–6pm
Open Tues 9:30am–1pm
Adm


Museo Galileo tours
• Context: Galileo and Science in the Renaissance
• Science and Art in the Age of Galileo

Sights nearby
★★★ Uffizi Galleries [museum]
★★ Palazzo Vecchio [palace/museum]
★★★ Piazza della Signoria [monument]
★★ Bargello [museum]
Badia [church]
★★ Ponte Vecchio [bridge]

Where to eat nearby
Gelateria Carrozze [gelato]
I Cche C'é C'é [meal]
★★★ I Fratellini [snack]
Acqua Al 2 [meal]
Casa di Dante [meal]
★★★ Vivoli [gelato]
L'Antico Trippaio [snack]
Alle Murate [meal]
★★ Le Mossacce [meal]
Gelateria Perché No? [gelato]
Le Volpi e l'Uva [snack; across river]

Hotels nearby
Hotel degli Orafi [moderate]
Hotel Hermitage [moderate]
Relais Uffizi [moderate]
Relais Piazza Signoria [moderate]
Hotel Balestri [cheap]
Hotel Pierre [premier]
» More hotels near the Science Museum

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A 16th century astrolabe at Florence's Museo della Scienza
16th century brass astrolabe made in Florence by Egnazio Danti or Giovanni Battista Giusti (Photo © Istituto e Museo di Storia della Scienza)
Trust the Italians of yore to take something as workaday as a scientific instrument and turn it into a work of great art, sublime craftsmanship, and exquisite beauty.

This small museum's display cases overflow with intricately engraved astrolabes, compasses, dials, and other mechanical calculators.

There are Renaissance barometers and cluster thermometers, Chinese compasses and 18th century surgical instruments (hey kids: nightmare time!), and the telescopes Galileo invented to discover the moons of Jupiter.

Picking a favorite is tough.

There's the "ladies' telescope set" disguised as a makeup kit, so that women of means could appear to be proper and prim yet still indulge their (very un-lady–like) passion for science and study.

The adolescent boy inside me is totally jealous of the astrolabe that, with a few twists and folds collapses into a dagger—an Enlightenment-era Transformer that's both useful (in an appropriately seafaring, piratey way) and wicked dangerous!

However, none hold a candle to Galileo's bird.

Galileo gets the final word: A quick discussion of Tuscany's most famous scientist

Galileo Galilei, a portrait by Justus Sustermans
Galileo Galilei, a portrait by Justus Sustermans (original in the National Maritime Museum in Greenwich, London—odd place to end up, yes, but by coincidence also home to really cool old astrolabes—but there's a copy in Florence's Museo della Scienza).
Everyone has heard of the famous Pisan physicist (and mathematician, astronomer, and philosopher) Galileo Galilei.

This is the man who brought us the compound microscope, who theorized that two balls of unequal weight would still fall at the same velocity in a vacuum, who posited the laws of kinetics that laid the foundation for Newton's Laws, who created the first truly useful telescope (with which he discovered the moons of Jupiter, the craters on our own moon, and the existence of sunspots), and who was called by no less than Albert Einstein "the father of modern science."

Most people also know that Galileo was tried by the Inquisition for his heretical view that the Earth revolved around the sun—rather than the official theory that the entire universe revolved around us (to be fair, he cribbed this idea from Copernicus)—that he was found guilty, and was excommunicated from the church.

Few know what happened after that.

Since Galileo had powerful patrons, the Medici (he prudently named those moons of Jupiter after them), his actual sentence was pretty light, at least in terms of the Inquisition's typical overreactions: he had to recant, then live out his life under house arrest.

However, being found guilty of "vehement suspicion of heresy" meant that, when he died in 1642, at the age 77, rather than receiving the marble monument he deserved in Santa Croce, the church of choice for burying Tuscan cultural giants, he got a grave in a modest corner of the attached convent.

Though the Vatican gradually allowed Galileo's books to be reprinted over the course of the 18th century (censored, of course), and quietly dropped its own opposition to the heliocentric theory in 1835, it wasn't until 1992 that Pope John Paul II actually apologized for the church's treatment of Galileo and cleared his good name.

By that point, however, Galileo had already had the last word—and I don't mean just that we now revere his rigorous methods and study his theories in our science textbooks to this day, or that Stephen Hawking once said that, "Galileo, perhaps more than any other single person, was responsible for the birth of modern science."

Galielo's middle finger, on display in Florence's Museo della Scienza
Galileo's middle finger. (Photo © Istituto e Museo di Storia della Scienza)
I mean that, in 1737, when his body was dug up to be moved under a proper funerary monument in the nave of Santa Croce (which proudly features an inlay of the Earth circling the sun), someone snipped off the middle finger of Galileo's right hand.

Since every church in Italy has its holy relics, why not its science museums?

Now with more Galileo!
Last year, Florence's Science Museum managed to acquire at auction two more of Galileo's fingers (plus a tooth), all of which are now on display in the revamped collections. I guess the critical mass for renaming a museum after a person is possessing three fingers... and a tooth.
Galileo's middle finger now stands proudly erect under a glass dome in a display case in the Science Museum (recently renamed after Galileo himself), eternally giving the bird in the general direction of the church that—for daring to question its blind authority with sound logic and ample evidence—once censored his theories, destroyed his good name, imprisoned him in his home, refused for nearly a century to give the man the decent burial he was due, and for 350 years neglected to grant him the honor he so richly deserved.

Given the delight Italians take in their vast catalog of vulgar gestures, the placement of this middle finger cannot be mere coincidence.

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This article was written by Reid Bramblett and was last updated in April 2013. All information was accurate at the time.

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