Before There Was a Venice, There Was Torcello

Glittering mosaics, breathtaking views, and a marshy proto-Venice in the Venetian Northern Lagoon

** Torcello
Vaporetto: T from Burano Full story
tel. +39-041-296-0630 or +39-041-730-119

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Burano (another island)
Murano (another island)

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Trattoria da Romano (on Burano)

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» THE VENICE BOOKSHELF

The campaniele (bell tower) on Torcello.
The campanile (bell tower) on Torcello.
Grassy, semi-deserted Torcello is pretty much a one-trick pony: glittering Byzantine mosaics in a cathedral oddly stranded in the middle of a desolate, largely abandoned mud island. There's a reason for that.

Torcello was the first of the lagoon islands to be called home by a mainland population fleeing the Barbarian hordes that overran the Italian peninsula during the Dark Ages.

From here, the settlers eventually moved to the area around the Rialto Bridge to build what we now know as Venice. Today Torcello consists of little more than one long canal leading from the ferry landing past sad-sack vineyards to a clump of buildings at its center.

Venice 1.0
Torcello's marshy badlands give you the best feeling for what Venice looked like when people first started settling there. Actually, Torcello predates Venice, and it was a thriving center of some 20,000 souls from the 7th to 11th centuries. Then malaria and competition from La Serenissima set in and quickly depopulated the isle. It now runs on a skeleton crew of 75 inhabitants.

From the ferry dock, follow the solitary long canal on a 10-minute stroll past a lithe bridge (nicknamed "The Devil's Bridge") to Venice's oldest monument and one of its prettiest, the Cattedrale di Torcello (Basilica di Santa Maria Assunta), whose foundation dates from the 7th century. (Technically, it's no longer a cathedral since there's no bishop, but everyone still calls it that.)

The church is is famous for its outstanding 11th- to 12th-century Byzantine mosaics—a Madonna and Child in the apse and a Last Judgment on the west wall—glowing walls of gold-flecked art to rival those of Ravenna and of St. Mark's Basilica itself. The cathedral (tel. +39-041-296-0630) is open 10:30am to 6pm (in winter 10am to 5pm), and does charge admission.

The 12th century mosaics depicting the Damned in Hell part of teh Last Judgment in teh Basilica of Santa Maria Assunta on Torcello.
The 12th century mosaics depicting the Damned in Hell part of the Last Judgment in the Basilica of Santa Maria Assunta on Torcello.
Across the square from the church is the dinky Museo Archeologico della Provincia di Venezia di Torcello (tel. +39-041-730-761; sbmp.provincia.venezia.it). The collection is split between archaeological fragments and the remains of some 10 other churches that once sprinkled Torcello's landscape. It's open Tuesday to Sunday 10:30am to 5:30pm (in winter 10am to 5pm); adm.

Also of interest is the spare 11th-century church dedicated to St. Fosca adjacent to the cathedral (open daily 10am to 4:30pm; tel. +39-041-730-084).

Aside from a lone, tipsy bell tower you can climb for some really nice views (last entry: 5pm Mar-Oct, 4pm in winter; closed in Oct. 2008 for restoration work; check to see if it has reopened at tel. +39-041-296-0630), the rest of the island is given over to swampy canals outlined by logs hammered into the muddy banks (a glimpse at how Venice looked before the stone palazzi were built) and a scraggly vineyard.

Somewhat incongruously, the island is also home to a world-famous restaurant (world famous because Hemingway loved it) called Locanda Cipriani (www.locandacipriani.com)—yes, that Cipriani, of Ciprianis around the world (not to mention Harry's Bar in downtown Venice).

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This material was last updated February 2011. All information was accurate at the time.

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